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Update vdmx51/7/2024 ![]() ![]() I was able to rock them controlling GridPro, my VJ software of choice at the time. What they are proud of: Todd: “I won the Maker Faire VJ Battle in San Mateo in 2006 with a pair of Trigger Fingers. Being able to have our projects with us has opened up amazing possibilities of collaboration while we travel.” We used to only be able to collect sounds on the road-now we can begin to edit them together as well. We are on the road regularly and the ability to continue working outside our home studio has been absolutely invaluable. We are constantly beginning projects and continuing to refine existing ones. “We travel with the Mbox with us at all times. We come from recent careers in video editing and are glad to see it replaced with things like Pro Tools and Ableton Live. We produce songs and loops in Pro Tools LE-then move them over to Ableton Live to prep them for live performance. Now that we are moving into A/V territory, we expect the Trigger Fingers to play the role that many artists are using the Pioneer DVJ’s to achieve, with wider applicability when combined with VDMX5.”Ī on M-Audio Software: “Our home studio consists of Pro Tools LE with an Mbox attached to an Apple G5. We have found the Trigger Finger to be an ideal controller-it has been a great asset for triggering our video clips and has allowed a level of control unrivaled by any other controller we have come across. Todd used Trigger Fingers in his win at the Maker Faire VJ Battle in April 2006. We use the FireWire 410 audio interface to get signal between our VDMX5 software and turntables with Ms. Taking his creations out into the field, he has performed at a number of locations in Istanbul, Turkey and India.Ī on M-Audio hardware: “We use our FireWire 410 and Trigger Fingers for performances, but also practice with them set up in the studio connected to our Apple PowerBooks. ![]() Lesport teaches real-time audio and video processing at Kultur University in Istanbul. He creates music for films, patches for installations and for musicians in the electronic scene-all while being actively involved in pushing forward the concept of real-time audio, video and streaming installations. Lesport studied music at the Paris National Conservatory and trained at IRCAM in Paris. His performances blur the distinction between what one sees and what one hears, driving the audience’s sensory experience to new levels. Thille has performed globally, with shows in England, Warsaw, Poland and now Turkey. Thille, principal of Los Angeles multimedia firm, spent a number of years working for Technicolor Creative Services and on documentary projects in South-East Asia, East Africa and Eastern Europe. He was resident VJ for both FG Radio and Dinamo, and is a driving member of the vibrant underground arts and culture tableau in Istanbul working with Gamze Fidan of Kop-Art and Ari Alpert of Osman Productions. Parenti has gathered a top-notch résumé, performing with a cross section of international DJ’s such as Deep Dish, Ferry Corsten, John Digweed, Scott Bond and James Lavelle. ’s aim is to bring people closer to the art form of live video mixing (known as “VJ’ing”) through the creation, performance and distribution of unique and engaging audio-visual interpretations of contemporary culture. The current membership is: Todd Thille (Los Angeles), Michael Parenti (Vienna), Pascal Lesport (Paris) and Korhan Kaya (Istanbul). is an Istanbul-based collaborative project of artists and programmers.
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